Tag: writing

A page from the catalog featuring Lincoln Austin’s ‘ I saw myself, in you, wondering, how did I get here’ - Winner of the 'Art for Life' Award. This is a colourful abstract piece with horizontal stripes in pastel shades and wavy lines. Mediums include synthetic polymer paint on aluminium. Photographed by Carl Warner, 2023.

Queensland Regional Art Awards Ekphrasis project

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I was honoured to be commissioned for this year’s Queensland Regional Art Awards Ekphrasis project by award-winning writer Cheryl Leavy, as part of Flying Arts Alliance’s touring exhibition, Perspective.

Commissioned poets include Stuart Barnes, Otis Carmichael, Cheryl Leavy, Steven Oliver and myself.

Check out the full catalogue for Perspective.

My poem ‘Distorted rainbows’ responds to Lincoln Austin’s ‘ I saw myself, in you, wondering, how did I get here’ – Winner of the ‘Art for Life’ Award. And my poem ‘Pixel-printed’ responds to Michelle Le Plastrier’s ‘Food-O-Matic + Pixel Printed Food’ – Winner of the Environmental Art Award.

A page from the catalog featuring Lincoln Austin’s ‘ I saw myself, in you, wondering, how did I get here’ - Winner of the 'Art for Life' Award. This is a colourful abstract piece with horizontal stripes in pastel shades and wavy lines. Mediums include synthetic polymer paint on aluminium. Photographed by Carl Warner, 2023.
A page from the catalog featuring the artist statement by Lincoln Austin for the piece ‘ I saw myself, in you, wondering, how did I get here’, alongside Rae White's ekphrasis poem titled ‘Distorted rainbows’. Lincoln’s statement invites viewers to experience empathy by presenting a distorted image that changes based on perspective, symbolising the varied views we have of the same reality. While Rae’s poem reflects on love, identity, and self-perception, through the exploration of grief and queerness. DISTORTED RAINBOWS 8am sunlight unearths glint of ancient Mari Gras glitter on carpet & distorts our mirror to rainbows. I witness: my bent legs, our sunset-peach sheets, the codependent topography of us. Once, when others looked at me & saw only double. you looked at me & saw: wonder, gendermess, shapeshifter. Were you empathetic to the point of self-extinction? The age-old bisexual dilemma: to be or do? Today, I admire you in mirror's glared morning & see only myself. The age-old heart-sick lament: grief-mirage or memoria?

Photograph of Michelle Le Plastrier's artwork, winner of the Environmental Art Award, titled "FOOD-O-MATIC + PIXEL PRINTED FOOD." The piece features circular ceramic plates, each painted with pixelated food items like a burger, hot dog, and fries, displayed in a row against a white wall. Mediums include ceramics, underglaze, glaze, and porcelain paint. Photographed by Kierra Thorn in Southport, 2023.
A page from the catalog featuring the artist statement by Michelle Le Plastrier for the piece "FOOD-O-MATIC," alongside Rae White's ekphrasis poem titled "PIXEL-PRINTED." Michelle’s statement discusses a retrofuturistic view on technology, consumerism, and environmental issues, while Rae’s poem reflects on food production and environmental degradation in the year 2080. PIXEL-PRINTED The year 2080. Introducing the 3D printed FOOD-O-MATIC- O-QUICK-FIX! Oh FASTTRACK! Oh the pixel-printed wealth of landfill and landowners: steak leaks river red; resuscitated broccolini in butter butter butter: the extinct giraffe wilt of asparagus. The year 2085. On smog-crowded streets microplastics curdle in the sleeping bag of your stomach.

The QRAA Ekphrasis project features work from poets who have lived and worked in urban, rural, regional and remote settings; work reflecting First Nations and LGBTQI+ communities; working artists and writers; published and unpublished writers; and poets who are emerging and well established.

Check out the full catalogue for Perspective.

Photo of a magazine spread titled 'in real life' on a light pink background

New piece in WellBeing WILD Issue 4

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During this strange year, one of the positive highlights has been writing regularly for WellBeing WILD magazine. This month in their latest Issue 4, I have a piece about how the binary of ‘real life’ versus ‘online’ is full of grey areas (especially during COVID) and far more fluid than we think. Big thanks to Rory Green, Tegan Webb and Kieran Bicheno for their interviews for this piece 🙂

Red image with two silhouettes either side, and beige text reading 'Supernatural Sexuality with Dr Seabrooke'

I’m on a podcast!

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I’m excited for you to hear/read the latest episode of the podcast Supernatural Sexuality with Dr Seabrooke because I both wrote and voiced one of the characters!

Listen to Episode 6: Unspeakable

I play Riley, who’s recently moved into a new apartment where previous owners neglected their trailing ivy houseplant … the plant died and became a sentient spectre named Evergreen! Riley has been enjoying the company of the Evergreen and fantasises about the two being more intimate: Evergreen temporarily sinking into their body, long ghost-stems wrapping around their organs, holding each other leaf-in-hand. Riley wants to ask for this intimacy but doesn’t want to ruin the friendship. What’s an enby to do?

Listen to Episode 6: Unspeakable

This episode was created by Lee Davis-Thalbourne and produced by Passer Vulpes Productions. Doctor Olivia Seabrooke is voiced by Mama Boho. Cover art designed by producer Erin Kyan.

Glitter and Leaf Litter

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I have a new short story called ‘Glitter and Leaf Litter’ in Capricious Issue 9: The Gender Diverse Pronouns Issue!

All ten stories in this issue use gender diverse pronouns, featuring short fiction by Nino Cipri, ​Bogi Takács, Lauren E. Mitchell, A.E. Prevost, Cameron Van Sant, Rem Wigmore, Penny Stirling, Hazel Gold, SL Byrne, and myself, edited by A.C. Buchanan, with cover art by Laya Rose.

Buy an electronic copy here!

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