Photo of Rabbit: a journal for nonfiction poetry, Issue 40 titled ‘Extinction,’ placed on a green and cream floral-patterned fabric. The cover of the journal has a dark maroon border, with the central artwork depicting a textured, moss-covered koala with a baby on its back, with smoke rising from its body.

‘welcome to all this’ in Rabbit Poetry Journal

Thrilled to have a new poem ‘welcome to all this’ in Rabbit Poetry Journal #40 Extinction. Much love and appreciation for editors Jessica L. Wilkinson, Elena Gomez and aj carruthers. 

Photo of Rabbit: a journal for nonfiction poetry, Issue 40 titled ‘Extinction,’ placed on a green and cream floral-patterned fabric. The cover of the journal has a dark maroon border, with the central artwork depicting a textured, moss-covered koala with a baby on its back, with smoke rising from its body.

As I write this a scrub turkey is scratching through the leaves outside my bedroom window and a lorikeet is yelling from a palm tree.

As I write this, Rabbit are waiting to hear back about vital funding. If you haven’t already please consider subscribing to Rabbit and/or buying some of their brilliant poetry collections.

Photo of a white page with text that reads: ‘So, I am wondering about how poetry might—if not evoke direct action-actually ignite the passion for action. Poetry as part of the resistance ecology. Rabbit itself stands on the precipice of extinction as we await vital funding news from government support. With institutional support largely dried up due to ongoing post-COVID cut-backs, we will at the very least revise our publications plan going forward. Of course, many Australian literary journals are similarly feeling the pinch. But I would like to take this opportunity to thank all our section and guest editors over the years. For this issue, I would particularly like to thank the guest poetry editors-Elena Gomez and aj carruthers—for their thoughtful selection and curation of 'extinction' poems, and for their dedication to the poetics of resistance. I also thank Jeanine Leane for curating a First Nations section from the 'Us Mob' writing group. I offer the deepest thanks to Tracy O'Shaughnessy for her indefatigable work as Rabbit's publications manager—we would not have survived this long without you. And finally, thank you to all our readers, our subscribers, our supporters, for meeting these pages with much enthusiasm and excitement. We hope to continue hopping in the near future.’

(Excerpt from Jessica L. Wilkinson’s editorial.)

Black-and-white artwork of a dense greenhouse filled with leafy plants. Overlaid on the scene is a geometric framework of translucent rectangular shapes, creating a layered, architectural effect that contrasts with the foliage.

Ekphrastic poem in Antipodes!

I have a new poem in Antipodes: A Global Journal of Australian/New Zealand Literature | Vol 36 | Iss 2.

‘A robot discovers an overgrown garden, year 2121’ is an ekphrastic poem I wrote after Jane Grealy’s Maria’s Garden, Scheme B (2021); pastel, conte and charcoal on paper; Museum of Brisbane Collection.

Thank you to poetry editor Nathanael OʻReilly and the team at Antipodes. And to my Ekphrastic Writing Club at Museum of Brisbane.

Black-and-white artwork of a dense greenhouse filled with leafy plants. Overlaid on the scene is a geometric framework of translucent rectangular shapes, creating a layered, architectural effect that contrasts with the foliage.
A page from the catalog featuring Lincoln Austin’s ‘ I saw myself, in you, wondering, how did I get here’ - Winner of the 'Art for Life' Award. This is a colourful abstract piece with horizontal stripes in pastel shades and wavy lines. Mediums include synthetic polymer paint on aluminium. Photographed by Carl Warner, 2023.

Queensland Regional Art Awards Ekphrasis project

I was honoured to be commissioned for this year’s Queensland Regional Art Awards Ekphrasis project by award-winning writer Cheryl Leavy, as part of Flying Arts Alliance’s touring exhibition, Perspective.

Commissioned poets include Stuart Barnes, Otis Carmichael, Cheryl Leavy, Steven Oliver and myself.

Check out the full catalogue for Perspective.

My poem ‘Distorted rainbows’ responds to Lincoln Austin’s ‘ I saw myself, in you, wondering, how did I get here’ – Winner of the ‘Art for Life’ Award. And my poem ‘Pixel-printed’ responds to Michelle Le Plastrier’s ‘Food-O-Matic + Pixel Printed Food’ – Winner of the Environmental Art Award.

A page from the catalog featuring Lincoln Austin’s ‘ I saw myself, in you, wondering, how did I get here’ - Winner of the 'Art for Life' Award. This is a colourful abstract piece with horizontal stripes in pastel shades and wavy lines. Mediums include synthetic polymer paint on aluminium. Photographed by Carl Warner, 2023.
A page from the catalog featuring the artist statement by Lincoln Austin for the piece ‘ I saw myself, in you, wondering, how did I get here’, alongside Rae White's ekphrasis poem titled ‘Distorted rainbows’. Lincoln’s statement invites viewers to experience empathy by presenting a distorted image that changes based on perspective, symbolising the varied views we have of the same reality. While Rae’s poem reflects on love, identity, and self-perception, through the exploration of grief and queerness. DISTORTED RAINBOWS 8am sunlight unearths glint of ancient Mari Gras glitter on carpet & distorts our mirror to rainbows. I witness: my bent legs, our sunset-peach sheets, the codependent topography of us. Once, when others looked at me & saw only double. you looked at me & saw: wonder, gendermess, shapeshifter. Were you empathetic to the point of self-extinction? The age-old bisexual dilemma: to be or do? Today, I admire you in mirror's glared morning & see only myself. The age-old heart-sick lament: grief-mirage or memoria?

Photograph of Michelle Le Plastrier's artwork, winner of the Environmental Art Award, titled "FOOD-O-MATIC + PIXEL PRINTED FOOD." The piece features circular ceramic plates, each painted with pixelated food items like a burger, hot dog, and fries, displayed in a row against a white wall. Mediums include ceramics, underglaze, glaze, and porcelain paint. Photographed by Kierra Thorn in Southport, 2023.
A page from the catalog featuring the artist statement by Michelle Le Plastrier for the piece "FOOD-O-MATIC," alongside Rae White's ekphrasis poem titled "PIXEL-PRINTED." Michelle’s statement discusses a retrofuturistic view on technology, consumerism, and environmental issues, while Rae’s poem reflects on food production and environmental degradation in the year 2080. PIXEL-PRINTED The year 2080. Introducing the 3D printed FOOD-O-MATIC- O-QUICK-FIX! Oh FASTTRACK! Oh the pixel-printed wealth of landfill and landowners: steak leaks river red; resuscitated broccolini in butter butter butter: the extinct giraffe wilt of asparagus. The year 2085. On smog-crowded streets microplastics curdle in the sleeping bag of your stomach.

The QRAA Ekphrasis project features work from poets who have lived and worked in urban, rural, regional and remote settings; work reflecting First Nations and LGBTQI+ communities; working artists and writers; published and unpublished writers; and poets who are emerging and well established.

Check out the full catalogue for Perspective.

Red Dirt Poetry Festival 2024 program announcement. The event dates are August 21-25, 2024. The text '2024 Program NOW LIVE!' is prominently displayed along with the website reddirtpoetryfestival.com. The image features a red and black colour scheme with the festival's logo in the top right corner.

Red Dirt Poetry Festival 2024!

Get ready for an unforgettable experience at Red Dirt Poetry Festival 21-25 August in Mparntwe (Alice Springs)!

Join me for Moonrise Poetry, a Zine Making Workshop, and Late Night Love Inn.

Grab your tickets!

Red Dirt Poetry Festival 2024 program announcement. The event dates are August 21-25, 2024. The text '2024 Program NOW LIVE!' is prominently displayed along with the website reddirtpoetryfestival.com. The image features a red and black colour scheme with the festival's logo in the top right corner.

Check out the full Red Dirt Poetry Festival Program.

Moonrise Poetry
Date: 21 August
Time: 6.30-9pm
Location: Earth Sanctuary

Zine Making Workshop
Date: 25 August
Time: 12.30-1.30pm
Location: The Roastery Cafe

Late Night Love Inn
Date: 25 August
Time: 9.15-11pm
Location: Araluen Arts Centre

Featuring at Red Dirt Poetry Festival 2024: 1. Moonrise Poetry - Date: August 21, 2024 - Time: 6:30 pm - 9:00 pm - Location: Earth Sanctuary - Image: A full moon rising over a dark landscape. 2. Zine Making Workshop - Date: August 25, 2024 - Time: 12:30 pm - 1:30 pm - Location: The Roastery Cafe - Image: A collage-style graphic with various elements including an eye and computer. 3. Late Night Love Inn - Date: August 25, 2024 - Time: 9:15 pm - 11:00 pm - Location: Araluen Arts Centre - Image: A pink background with a yellow peach sliced open.

Poetry performance at Cyber Bunker!

I’ll be reading poetry at the opening of Cyber Bunker, a new project space for noise, new media, experimental arts, sound and performance, and the sibling space of Cyber Palace

Come along on 21st of April 4-9pm for an afternoon of art, sound and poetry. 🌟

Pay what you can – tickets on Humanitix

4 – 9pm | Sunday April 21st
$10 – $20 (pay what you can)
All proceeds go to the artists

Cyber Bunker Project Space
Gipps St/Wickham St, Fortitude Valley.

More info.

Logo of 6 rectangles increasing in size from short to tall, and increasing in colour, from pastel shades of yellow, pink, green and blue, to darker shades of pink, yellow, orange, purple, green and blue. At the bottom of each rectangle is an uppercase letter which combined together reads UPLIFT. This image is repeated three times.

Launching: Uplift – a poetry community hub

I’ve started my own poetry initiative called Uplift! (Along with my wonderful colleague Charity Shadforth.)

I love the poetry community here in Meanjin and further afield, and I want to help it shine brighter than ever!

Uplift is a poetry community hub that aims to uplift people and their poetry through events, opportunities, and connection. I want us to thrive on poetic reciprocity, and be non-competitive and community-focused.

At this early stage, Uplift is a comprehensive monthly newsletter for sharing and showcasing poetry events, opportunities and more in Meanjin (Brisbane), Queensland, and Australia-wide. 

At Uplift, we research events, publishing opportunities, book releases and beyond, so you don’t have to, then we send them straight to your inbox.

SUBSCRIBE NOW or check out our website.

Got a poetry event, opportunity or book release you want us to share? Head to our website for more info.

In the very near future, we aim to kick off our own events, partner with organisations, and provide even more services to the poetry community.

Uplift is based on stolen lands in Meanjin, the lands of the Jagera and Turrbal people. Sovereignty was never ceded. This always was and always will be Aboriginal land.