Vocal Spectrum next week!

I can’t believe Vocal Spectrum is next week! Get your tickets for Wed 5 Nov at Brisbane Powerhouse, part of Melt Festival. The Australian Vocal Ensemble will be performing a very special commissioned piece — Joseph Twist has set the words to my poem ‘Abundantly Blue’ to music!

‘Vocal Spectrum features new vocal chamber works by leading Queensland composers, each set to poetry by LGBTQIA+ poets from across the state, alongside striking new arrangements of beloved queer anthems.’

More info and tickets.

Q-Lit Festival and new poem in Meanjin!

I’m thrilled to be part of Q-Lit Festival’s Opening Gala on 20 June in Naarm (Melbourne).

More info and tickets for Q-Lit Festival.

About the Opening Gala

A gala of queer words, voices, and stories.

One magnificent night of the stories we tell, the songs we sing and our thoughts that are changing the world. Featuring a range of writers, performers and presenters, responding to the festival’s theme of
”What fills your cup?”

Hosted by Bebe Oliver.

Featuring Dean Arcuri, Tiger Salmon, Urvi Majumdar, Claire G. Coleman, Wallis Prophet, Noah Riseman, Lili Wilkinson, Rae White and Ed Moon

My poem ‘Hot Wheels’ is in the latest Meanjin

Shout out to Echoes from the Cave Inn, the most queer nourishing magical open mic, where this poem was first born.

Grab a copy on the Meanjin website.

An image of the Autumn 2025 issue of Meanjin (Vol 84, No 1). The cover mimics the interface of an iPhone Notes app in dark mode. It lists six bullet-pointed phrases: ‘The work of desire,’ ‘The work of identity,’ ‘The work of standing still,’ ‘The work of giving life,’ ‘The work of telling truth,’ and ‘The work of making a home.’ The design uses yellow and white text on a black background, with the Meanjin logo at the top in gold.

About Meanjin 84.1 Autumn 2025

Energy and life and the body. Disappointment and passion and pride. The inexorable labour of working toward the just. The work of desire, the work of identity, the work of standing still. The work of giving life, the work of telling truth, the work of making a home.

This season, Meanjin’s writers are calling us to account.

What are we gambling with when we settle for what’s merely adequate? What have we already sacrificed the moment we come to realise what’s at stake? What is the price of the just?

Embrace Australia’s finest writers. Meanjin 84.1 Autumn 2025.

Photo of a copy of Denizen’s Digest, with a black and white Expo cover, and a creepy zine pin, on a glittery background.

New poem in Denizen’s Digest!

My new poem ‘We’ll show the world’ is out now in Denizen’s Digest – Issue 3: Expo 2088!

As an Expo ‘88 enthusiast, I was super excited to have my poem chosen to be part of this excellent local zine. 

Grab yourself a copy!

Photo of a copy of Denizen’s Digest, with a black and white Expo cover, and a creepy zine pin, on a glittery background.

The Denizen’s Digest – a weird anthology by the Brisbane bizarre. The digest is a 60 page journey through locally created genre fiction, poetry, creative non-fic and more. 

Curated by Netherworld denizens Tim Sifontes-Holzberger and Mitch Wilkins, the third-issue’s theme is ‘Expo 2088.’

Photo of the first stanzas of the poem ‘We’ll show the world’ featured in Denizen’s Digest. The text reads ‘WE'LL SHOW THE WORLD BY RAE WHITE. Self-drive dodgems cruise through Brissie's sunny sky.
Marching band kangaroos levitate above rivers' glinting
mock-blue surface. 1988's pink sub memorialised as pink mega-drone loop-the-looping over whooping crowds.
Jacarandas luminous like stars
their purple petals bred to mimic fireflies.
Yellow-clad robot hostesses
roam the teeming grounds, demeanour more cop than cooperative.’
Photo of Rabbit: a journal for nonfiction poetry, Issue 40 titled ‘Extinction,’ placed on a green and cream floral-patterned fabric. The cover of the journal has a dark maroon border, with the central artwork depicting a textured, moss-covered koala with a baby on its back, with smoke rising from its body.

‘welcome to all this’ in Rabbit Poetry Journal

Thrilled to have a new poem ‘welcome to all this’ in Rabbit Poetry Journal #40 Extinction. Much love and appreciation for editors Jessica L. Wilkinson, Elena Gomez and aj carruthers. 

Photo of Rabbit: a journal for nonfiction poetry, Issue 40 titled ‘Extinction,’ placed on a green and cream floral-patterned fabric. The cover of the journal has a dark maroon border, with the central artwork depicting a textured, moss-covered koala with a baby on its back, with smoke rising from its body.

As I write this a scrub turkey is scratching through the leaves outside my bedroom window and a lorikeet is yelling from a palm tree.

As I write this, Rabbit are waiting to hear back about vital funding. If you haven’t already please consider subscribing to Rabbit and/or buying some of their brilliant poetry collections.

Photo of a white page with text that reads: ‘So, I am wondering about how poetry might—if not evoke direct action-actually ignite the passion for action. Poetry as part of the resistance ecology. Rabbit itself stands on the precipice of extinction as we await vital funding news from government support. With institutional support largely dried up due to ongoing post-COVID cut-backs, we will at the very least revise our publications plan going forward. Of course, many Australian literary journals are similarly feeling the pinch. But I would like to take this opportunity to thank all our section and guest editors over the years. For this issue, I would particularly like to thank the guest poetry editors-Elena Gomez and aj carruthers—for their thoughtful selection and curation of 'extinction' poems, and for their dedication to the poetics of resistance. I also thank Jeanine Leane for curating a First Nations section from the 'Us Mob' writing group. I offer the deepest thanks to Tracy O'Shaughnessy for her indefatigable work as Rabbit's publications manager—we would not have survived this long without you. And finally, thank you to all our readers, our subscribers, our supporters, for meeting these pages with much enthusiasm and excitement. We hope to continue hopping in the near future.’

(Excerpt from Jessica L. Wilkinson’s editorial.)